Vocal : T V Sankaranarayanan
Violin : Nishant Chandran
Mrudangam : C Cheluvaraju
Ghatam : Omkar G Rao
Morsing : ‘Sangeethasurabhi’ L Bhimachar
List:
01 viruttam ( kazhaliNai kANa vandEn ) – hindOLam
Eka radanam vAraNA vadanam – hindOLam – Adi – Tulaseevanam ( S )
02 viDajAladurA nA manasu – janaranjani – Adi – Thyagaraja ( A,S )
03 murugA murugA enrAl – sAvEri – mishrachAp – Periyasami Thooran ( A )
04 samAna rahitE – sArangatarangiNi – rUpakam – G N Balasubramaniam ( A,S )
05 ODi bArayya vaikuNThapati – bhairavi – Adi – Purandara Dasa ( A,N,S )
neraval & swara @ ‘mangaLAtmaka mOhanakAya ranga’
06 mOhana rAma – mOhanam – Adi x 2 – Thyagaraja ( A,S,T )
07 kA vA vA – varALi – Adi – Papanasam Sivan
08 viruttam ( kaNNA kArmukil vaNNA + paNNAl unnai tudikkum pAmaran nAn + karpUram nARumO + vandAn en manam pugandAn ) – behAg, dEsh, hamsAnandi
tirupati vAsA venkaTEshA – hamsAnandi – Adi – Indira Natesan ?
09 eppO varuvArO – jOnpuri – Adi – Gopalakrishna Bharathi
10 Notes ( ga ma ga ri ga pa) – Adi – Harikeshanallur Muthaiah Bhagavathar
11 nI nAma rUpamulaku – saurASTram – Adi – Thyagaraja
shLOkam ( mangaLam jaya mangaLam) – surruTTi
Felicitation concert for the newly crowned ‘Sangeetha Surabhi’ Sri L Bhimachar, and who is better that Sri TVS to honour on such an occasion. One will say, the master is at work.
The morning concert had many of his usual compositions. A Tulaseevanam kriti to start with and the entire post main is in the predictable lines with kA vA vA, the eppO varuvArO, the Notes. Again and again, people request him to sing those and he always obliges. That part is not of our interest here.
He sang some interesting ragas in the middle. Started ‘janaranjani’ alapana, mentioned his uncle/guru rarely sung janaranjani, but he is in the mood to sing viDajaladura. Short alapana, but the typical sarvalaghu swaras added at the end. Sang another 4-5 minutes of saveri with some nice takes. Started the kriti at anupallavi ‘orukAl urai seidAlum’ and sang that beautifully. Ended with calling ‘murugA’ in a dozen variations. I found it very appealing. Sarangatarangini was a surprise. Don’t remember listening to it in a concert. Nice alapana again. Nishant Chandran played this very well too. He was always playing a bit short, allowing the veteran singer more time to sing. Appreciative effort.
Fairly detailed bhairavi. Standard alapana, time tested patterns and passages, that establishes the raga credentials with ease. Interestingly, Odi bArayyA was taken. Neraval at mangalAtmaka was very good, so was the swaras. Quickly started the mOhanam alapana, at a tricky take , before moving to the melodic mohana phrases. Even the kriti was started with a different style, the start of ‘Mohana rAma’, from the often heard one. Percussion team played a short tani avartanam, including the 88yr young Bhimachar, who has not lost any of his touches.
The main attraction was the viruttam. Viruttam singing is slowly disappearing from the concert scene. Even those sing it occasionally, sing a short piece and move on to the composition. Today, he sang an exquisite viruttam. This also included one that was written by starting with words ‘paNNAl unnai tudikkum pAmaran nAn’. Beautiful stuff. Loved it. Rest of the tail pieces, as mentioned was easy to guess.
His music, especially while singing the swaras, just flows, endlessly.