Vocal : Vid Pantula Rama
Violin : H N Bhaskar
Mrudangam : Patri Satishkumar
Ganjira : B S Purushotham
List
01 vanajAkSi (varNam) – hamsadhwani – Adi – Manambuchavadi Venkate Subbaiyer
02 vallabha nAyakasya – bEgaDa – rUpakam – Dikshitar ( S )
03 sogasujUDa taramA – kannaDagauLA – rUpakam – Thyagraja
04 sakala garaha bala nInE – aThANA – khaNDa chAp – Purandara Dasa ( A )
05 pAlintuvO pAlimpavO – kAntAmaNi – Adi – Thyagaraja ( A,S )
06 bhajarE rE mAnasa – AbhEri – Adi x 2 – Mysore Vasudevachar ( A,N,S )
neraval & swaras @ ‘rAjakumAram rAmam pavanajAtmam avanijA manOharam’
07 palukavEminA deivamu – pUrNacandrika – Adi – Thyagaraja
08 AragimpavE pAl AragimpavE – thODi – rUpakam – Tyagaraja ( A,N,S )
neraval & swaras @ ‘raghuvIra janajakAra pavitratamu venna’
09 RTP – kannaDA + kAnaDa – chaturashra tripuTa, mishra gati, 5 aksharam eDuppu
pallavi line ‘rAmA shrI rAmA kannaDa valadayyA(?) , inta parAkA naDaci vaci nannu brOvavayyA’
09b tani Avartanam
10 shLOkam ( hE gOpAla)
Ehi murArE kunja vihArE – yamunAkalyANi? – Adi – Jayadeva
11 tambUri mITi tava – sindhubhairavi – Adi – Purandara Dasa
12 thillAna ( tadhIm dhImta tara nom) – parash – Adi – Patnam Subramanya Iyer
13 nI nAma rUpamulaku – saurAStram – Adi – Thyagaraja
She was the last minute replacement for Bombay Jayashri, who was supposed to start the month long festival of Sri Rama Lalitha Kala Mandira, yesterday at Gayana Samaja. This year, the usual two phase – one as sankranti festival at their own premise, and the Spring Fesitval in Feb at Gayana Samaja – are combined and will have a long season of music , by the Mandira. The line up of artists are also impressive.
Pantula Rama’s announcement prompted me to change my plans ( of skipping the day 1) and I made it to the samaja. The hall was full, the concert started promptly at 5:45, as the audio checks and corrections were done in advance. Concert progressed in an uncertain way, not in her usual confident way, until the aThAna kriti.
It was with the kAntAmaNi, the whole scene changed. A profound alapana, though it kept us guessing, beautiful presentation of the kriti followed with a stupendous kalpana swaras. Some of the laya variations during the swaras were super impressive. I still think, this has propped the concert up. A beautiful alapana of abhEri, and predictably Mysore Vasudevachar’s masterpiece came in. Tricky neraval, with some stretches around rAmam and rAjakumAram, elaborate, whilst technically brilliant.
Thodi alapana started well. Did not have those slow, deliberate short phrases which I like, but had a lot of fast paced vocal gyrations, which of course was good. She did a smooth grahabhedam to hindOlam( i think) and back. H N Bhaskar in his turn did a shift to mOhanam, but the return was a bit abrupt, lacked the smoothness. Expected a big one, but she decided on Aragimpave. Slightly shortish neraval, albeit done well. Very short rounds of swaras, done in the second speed, giving us the hint of a pallavi in the offing.
She announced a dwi-raga pallavi in kannada and kaanada. Good alapana done separately for both ragas, no intermixing of them as we see with TNS and others. Tanam was also largely done individually, but did have alternating phrases between the ragas towards the conclusion. Pallavi line had the ragamudra incorporated for both. Overal a good pallavi, not a super duper one. The percussion champs did an energetic tani avartanam, as one would expect from them.
Short intermission, before she continued the concert with a chain of short pieces. The ashtapadi, woth the shloka preceded, stood out. Concert lasted 3hr 20 mins, and in all, I liked it.