Vocal : Vid Baby Sreeram
Violin : Charulatha Ramanujam
Mrudangam : B S Prashanth
Khanjari : Latha Ramachar
List:
01 nannu brOva rAdA – janaranjani – Mishra Chap – Shyama Shasthri ( O,S )
02 kAmAkSi ambA ( svarajati) – yadukulakAmbOji – Mishra Chap – Shyama Shasthri ( O )
03 trilOka mAtA nannu – paras – Adi – Shyama Shasthri
04 ninnu vinA marigaladA – rItigauLa – Roopakam – Shyama Shasthri (A,S )
05 ninnu vinA gamari – pUrvikalyANi – Mishra Chap – Shyama Shasthri (A,N,S )
neraval & svara @ ‘cinta dIrci vEgamE (nannu) brOcuTaku’
06 Emani migula – thODi – Adi x 2 – Shyama Shasthri ( A,N,S,T )
07 ennEramum un(dan) pAda kamala – punnAgavarALi – tripuTa – Shyama Shasthri
08 madhyamAvati sketch
*—-
* A stupendous thodi for main. Superb alapana, Impressive selection of kriti, long neraval done in such fabulous way and an equally brilliant swaras.
* Impressive planning of concert. Progressed very well.
*Charulatha was in super form. Taking over from the main artist ( mostly helping her out in the higher register) she played some delectable alapana and swaras for reetigaula and thodi.
*Vid Baby Sreeram, restricted her singing to the lower and mid register through out, seldom venturing into the higher octave. Charulatha compensated for that. Clever way of passing between these two during the alapana and swaras. Executed very well.
*B S Prashanth ( and Latha Ramachar with some nice sound from the khanjari) did a commendable job.
*Thodi continue to linger in the memory.
Brain Drain 