Vocal : Suguna Purushothaman
Violin : B Raghuram
Mrudangam : K U Jayachandra Rao
Ghatam : G Omkar Rao
Songlist:
01 gajananam ( slOkam) – nAtta
gaNanAyakanE – navarAgamAlika – Suguna Purushothaman
( nAtta, gauLa,Arabhi, varALi, srI , rItigauLa,surutti, kEdAram, bauLi)
02 lambOdaram avalambE – kAmbOji – Mysore Vasudevacharya ( N,S )
neraval & swara @ ‘ tumburu nArada vinutana lambOdaram avalambE’
03 orAjupu chUceDi – kannaDa gauLa – Thyagaraja
04 srI satyanArAyaNam – shubha pantuvarALi – Dikshitar ( A,S )
05 okapari kokapari – kharaharapriya – Annamacharya
06 saraguNa pAlimpa – kEdAragauLA – Poochi Srinivasa Iyengar ( A,N,S,T )
neraval & swara @ shrInivAsa ninnu satkathalanuvini ninu vEDitini’
07 rAma rAma rAma rAma rAma ennirO – vasantha – Purandara Dasa ( S )
08 RTP – rItigauLa – tisra jathi triputa khanda gati ( 35 counts)
pallavi line ‘ mahA gaNEsha umA shiva kumAra mAmpAhi sumukha’
no ragamAlika swaram
09 slOkam ( hE krishNa dwArakA vAsa )- kApi,hamsAnandi,sindhubhairavi – Purandara Dasa
nI enna kAya bEku rangayya – sindhu bhairavi – Purandara Dasa
10 mahAdEva manOhari – rAgamAlika ( dEva manOhari,jaya manOhari,saraswati manOhari, rAma manOhari) – Suguna Purushothaman
11 mangaLam – saurAshtram – Thyagaraja
Very blissful concert. Every piece was beautifully rendered. Started with her own composition ( varNam) in navaragamalika on Ganesha, she quickly got into kAmbOji with neraval and swaras. Shubhapantuvarali was the first alapana with some beautiful phrases. But the best was yet to come. A fantastic apalana for kEdaragaula with some moving takes , made the evening for me. B Raghuram was good in his return. Saraguna palimpa in its all grandeur with detailed swara singing, wonderfully supported by Jayachandra Rao. The percussion duo presented a good tani avartanam, especially by Jayachandra Rao, who was very impressive through out the evening.
Reetigaula RTP followed after a quick Dasar krithi. While the alapana was just ok, she excelled in the tanamwith a good support from violin. Self composed pallavi line, set to tisra triputa, in khanda gati ( a total of 35 aksharakalam) was on Ganesha. She excused that this wasn’t prepared with the accompanying artists, and announced the scheme in advance. Trikalam was performed with some very detailed swara singing. There was no ragamalika swarams, but the elaborate reetigaula swaras compensated for the absence of ragamalika swaras. She closed her concert with a ‘manohari’ ragamalika composition of her own. A very good concert to remember.