T M Krishna @Unnati Center, Gokulashtami Festival 06 Aug 2016

07 Aug

Vocal : T M Krishna

Violin : H K Venkatram

Mrudangam : Arun Prakash

Ganjira : Anirudh Athreya


01 sarasa sAmadAna – kApi nArAyani – Thyagaraja (O,N,S)

neraval @ ‘hitavu mAtalentO bhAgabalkitivi’

02 yArukkAkilum bhayamA – bEgaDa – Subbarama Iyer? ( A,S )

03 vallabha nAyakasya – bEgaDa – Dikshitar ( Tanam, S)

04 chANarO ee mOhamu – khamAs – Ramanathapuram Srinivasa Iyengar ( O )

05 RTP – mukhAri – khaNDa tripuTa x 2 Kalai , 1.5 eduppu

pallavi line ‘ kAdalippOm nAm anaivarum ‘aridAna?’ manita vAzhvai’

pallavi in rAgamAlika kIravANi, shrI,nAyaki, sahAna, sindhubhairavi

No swaras

tani Avartanam

06 cherarAvadEmirA – rItigauLa – Thyagaraja ( A )

07 hE gOvind. hE gOpAl. – kAmbOji – Surdas

08 pagh gunghurU rE (mIrA bhajan) – pIlu

Hmm.. What would you call the listener (me,in this case) who is confused between Bhairavi and Mukhari ? My friend AG came with an apt answer; Bhairavi+Mukhari = Bhikhari.

MukhAri, I said to myself, as soon as he started the alapana. Wait, am I hearing bhairavi ? No, there is clear mukhari phrases. Oh, tanam is sounding bhairavi. Could this be mAnji, no way. No, it is mukhari. Or should we wait for H K Venkatram to come to our rescue when his turn comes. Oh,no. There wasn’t a violin turn. Krishna is starting the pallavi. Let me freeze it on mukhari.

I am not the only one confused. The organiser’s mail came in the morning, which announced the pallavi is in bhairavi. Was I wrong then. Hold on, what is the second mail all about. Ah, they have corrected it. It now says, mukhari. Stop it Jayan, no more debate. Mukhari it is.

A couple of years back Sri Neyveli Santhanagopalan gave a concert at Nadasurabhi on Allied ragas. And to his merit and credit,he chose to sing the pallavi in bhairavi+mukhari. I had no confusion then, between bhairavi and mukhari. Probably, it wasn’t my day. Or one should blame MDR, whose ‘eLAvatAram’ was playing in my car for the entire day.

This summarises my evening yesterday. The confusion did not end there. Ask about the Surdas bhajan. I am for kAmbOji, or was it harikAmbOji ? Did I hear traces of khamAs as he twisted the corners of the brief alap he did before the song?

Pardon me. I am lost. The blame is entirely and squarely on me. Krishna started majestically with a short kapi narayani sketch. Slightly stretched the neraval at hitavu matalento, but was top class, which he did alone, without a reciprocation from violin. However, the kalpana swaras was done by H K Venkatram, after a brisk start from Krishna.

Begada alapana started with some exquisite phrases, and this time he did announce it as begada to those who were looking perplexed. After the impressive start, he mostly did long slow phrases in middle and upper octaves. Yarukkakilum bhayama, popular in the bharatanatyam circuit was sung very leisurely, apt for a dance performance, way. Added to it a few rounds of lovely swaras. Some great great rounds in the upper octaves. Begada isn’t over. After mulling for a while, he started tAnam, mumbled ‘same one’ as he started. Dikshitar’s masterpiece was sung in much pleasing tempo followed with some faster rounds of kalpana swaras.

Khamas jAvali was to follow. This time pronouncing it as ‘chANarO’ with a clear ‘chh’ syllable to start. I have been listening to this as ‘jANarO’ for a long time, including that of Krishna. Probably a correction from his side. Interestingly, the site has the lyrics as ‘sAnarO’. Ramesh Swamy spoke after this and was followed by few felicitations to the new Magsaysay winner.

It is now the pallavi started. I have said enough about this. There was no swaras, but he sang the pallavi line in ragamalika. Looked like he got hooked on to sindhu bhairavi as he elaborated it for a while. There was no trikalam too, as he pointed to Arun Prakash for tani avartanam. Arun Prakash and Anirudh started with very slow pattern around the time division, doubling up as it progressed to greater speed. Except for some fabulous pattern he played towards the end, by and large it wasn’t very appealing.  There was  a large exodus post the tani avartanam, people seems to have taken the advise of Ramesh Swamy well, delaying the departure post tani.

HK Venkatram played a very nice alapana in reetigaula and TMK added to the impact with an impressive cheraravadEmirA, adorned with sangatis after sangatis of the pallavi line. This definitely was beautiful. The Surdas bhajan, spoke above, and a meerabhajan concluded the concert.

Personally, I have mixed feelings about this concert. It was brilliant at patches and was confusing and sluggish at places. I’ve heard better concerts of his.



Posted by on August 7, 2016 in Uncategorized


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3 responses to “T M Krishna @Unnati Center, Gokulashtami Festival 06 Aug 2016

  1. Jayan

    August 20, 2016 at 10:23 pm

    Hi, it probably wasnt my day 🙂
    Also, for the entire day, I was listening to MDR.

  2. Kiran

    August 17, 2016 at 2:44 pm

    I can’t believe, you, yes YOU, can get confused between Bhairavi and Mukhari., unless the rendering was such. May be it was rendered just along that thin line between Bhairavi and Mukhari!!

    It is like McGrath bowling just (just) out-side-the off stump and as a batsmen you are in permanent doubt as to whether to play the ball or leave. It is just on the edge. May be here TMK delivered it like McGrath !!

  3. Sowmya Mohan

    August 7, 2016 at 1:08 pm

    Felt the same for mukhari-bhairavi and kambhoji or kamas piece. Well, as u said, it wa a good concert but could have been several times better, considering his unusual self


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